Half a King came out in early July and made no. 3 on the Sunday Times hardcover list, and at a competitive time of year too. Even more pleasing is that it then stuck in the top 10 for 4 weeks. Preorders give you a big boost that first week, so you’ll often see books pop onto the list strongly the week of release but drop straight off. Sticking around tends to mean your book is not only selling to your committed fans but also selling strongly off the shelves, which is a very promising sign.
With all the touring and events however, including Comic Con in San Diego and Worldcon in London, most of July and August got swallowed up by travel and signing and blah, blah, blah. What with the stress and the jet lag and the convention hangovers I’ve always found it tricky to make a lot of progress with writing while on the road, usually sticking to a bit of light reviewing, planning and reading over rather than drafting new stuff, but things do grind inexorably forward.
I did my last reading through and checking over the detail of the language on the second Shattered Sea book, Half the World, at the start of July, and in a highly nimble bit of production work Harper Collins had proofs of the book ready for Worldcon in mid August:
‘Andsome, eh? Once again they’ve gone for an impactful quote on the front with the title on the spine. These will be making their way out into the world over the coming weeks and are to excite folk in the trade, of course, the actual hardcover will have a cover in keeping with the previous one. Half the World is now copy edited too and therefore, aside from the proof-reading phase, basically done. Nothing (at least on the creative side) stands in the way of US and UK publication in early February 2015.
I’m now half way through the first draft of the last book in the trilogy, Half a War. This is pretty much always my lowest ebb with a book. The excitement of starting something new is far behind, but generally you’re still a way off getting the plot and the characters completely straight in your head and the whole thing feels plodding and dull. Oh god will I ever write a good book again? It is some help, though less than you’d think, that I know I’ve felt this way about every book since I finished the First Law. These shorter books do give you less time to get into character, as it were, though, and it doesn’t help that I’ve gone from one point of view character in Half a King, to two in Half the World, to three in Half a War, therefore there’s less time spent with each and at the moment they’re twisting about like snakes with their heads cut off as I struggle to smash them into a shape that fits the (constantly changing) plot. Still, I think I’ve now got a decent plan for the second half of the book which should provide some interesting moments. I just need the characters to be the people who’d do the type of stuff I’ve got in mind, and that means a fair bit of rewriting in the earlier parts. Sigh. So it goes. I’m still a heavy planner, but I find over time my process is getting more and more fluid. The basic plot I have in advance, but the details of how and who and why I get there shift around a lot more than they used to.
Anyway, this year’s big clutch of events is behind me, and though I’ve got a couple of much smaller commitments, the next three months are largely clear to get a full first draft of Half a War together, so I can spend December doing the heavy lifting of rewriting the first half of the book and have a decent, coherent second draft by the end of the year. That should leave ample time to get the book out by its planned publication in July 2015. Such is the hope, anyway.
That is your progress report for August…